Yo…
Good evening peeps.
I am going to try and keep this short, unlike my looooooooong VLOG I posted days ago. First of all the last month was good for me, all things considered. Looking at my day to day woes i find i really have nothing right now o lasting importance to complain about. Life is good. Bad things happen, sure. But the good, outweighs the infamous. (I find I feel better about myself if i stay away from the evening news, LOL) I felt really proud of myself, perhaps it’s silly and even a little naive, especially to the cynics out there, but I donated to the American Red Cross. First bit of charity I’ve done. I feel doubly good because my current employer matches my contribution (is doubly a word?). There’s a lot of shit going on in the world, whether it be on our own doorstep or accross the ocean…give if you can, to the world or to your own community. (Smiles)
So ends the public service announcement of my blog.
Now, to the rant…
FUCK CHARLIE SHEEN. I mean seriously, FUCK HIM. He’s a douschbag whose moderatly entertaining when he’s sober. Why is he so damn popular for being a raging twit? I guess he must be doing something right. He’s wealthy and I’m nearly penniless.
Ok, end rant…(Think good thoughts, think good thoughts…)
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Ok, a little entertainment news. Now I normally dont do movie reviews of any kind, but I thought I’d give it a go, if anything just to bring a little film to your attention that might end of floating under your radar. (And please excuse me if I gush, as I’m a sucker for a film with long takes and sphincter tightening suspense) The movie in question that I’ll talk briefly of, is the Uruguain horror thriller, “LA CASA MUDA”, aka THE SILENT HOUSE.
The premise of the film is simple, father and daughter hike to an old family house in the rural Uruguay countryside to fix it up. Going inside to rest for the evening, it becomes clear that someone or something else is in the house with them. What ensues is a tense game of cat and mouse between the daughter and whatever evil lurks upstairs.
I’m a cheerleader for this film for a number of reasons, first and foremost it was shot on an extremely low budget (About $6000) but it looks and sounds incredible. The unknown lead does an incredible job, for most of the film all we do is follow her around the house in the dark. The flick is also notable in that it was shot like “ROPE”, with the illusion of a single take heightening many scenes of suspense, especially a harrowing chase scene toward the middle of it’s slim 78 minute run time. Also notable, the film was shot on the Canon Mark V DSLR camera…certainly not the first, but certainly the most interesting to be shot in a truly cinematic way.
Is the movie perfect? Nope. Far from it. In fact there are a few moments that really sucked ass. My recommendation though leans more toward the desire of sharing a mostly successful gem of a horror film to a public that will most likely only hear of the American remake that is already making its rounds to film festivals nationwide. (And I hear that one has the younger sister of THE OLSON TWINS as the lead.) Anyway, if you can find it, watch it. It’s one of those films that hasnt been released in the US and might not be for a long time.
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Currently local filmmaker Christian Calson is filming a new feature film called “FERAL”.
http://www.facebook.com/feralmovie
I’m keeping my eye on this as his previous work (and work to be) has a very underground, radical queer bent which is I find very inspiring. (In a Todd Haynes, POISON type of way.) Good stuff.
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Another local filmmaker/activist/entrepeneur has a cool project going down that has been in the work for a few years now. Jonathan Menendez Benavides is making a documentary about Latino queer life in L.A., specifically following the lives of 3 young latino men as they deal with issues of family, culture, religion…it’s some very potent stuff.
http://evolutionaryproductions.com/
Check it out. And a special shout out to Jonathan for sending out the Facebook invite to the outstanding play BONDED, shown at the Los Angeles Theater Center in Downtown LA. Extended until April 17th, I cant recommend this surprisingly visceral and passionate play enough. Written by local writer Donald Jolly, BONDED was a potent live theater experience. One i would be so down to see again…
http://thelatc.org/2011/shows/bonded/
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Coming soon, SO.DA. Chris Jensen Soto over at Socon films and I are collaborating on a short film over the next few months. Shot in the same vein as my last short, “EATING”, in a simple, Dogme 95 inspired way, the new film will be a dark comedy about three friends hanging out to celebrate a birthday, only to find that the night doesnt quite go as planned. I’m really excited about this one, as we were able to write a quality script quickly and get most everything we need together. More details for this project will posted at a later date.
http://www.facebook.com/SOCONFILMS?ref=ts
I’m also putting the finishing touches on a GLBT themed short, working title, “THE LOLLYGAGGERS”. The script is complete, but the sparse one room set is not.
Again, more details on this as the time comes.
In the next few months I’ll be concentrating on writing…working mainly on the 2nd revision of my story “DEMALOGUES”. (Which I’ve been stewing on for years.) I’m also laying the foundations for other strictly written work, and my first feature film script, another dark comedy. (So much for the experimental films huh? LOL) I do have a completed script, a short horror film called “CARNE” complete. That I’m pushing back to 2012 to film to save up funds and experiment with different cameras and stuff. It will also take some time to translate “CARNE” into Spanish…so it’ll be a very involved project indeed.
So yeah, I’m very busy right now. As I expected I’d be by April. Which is a good thing.
Ok my friends, thats it for now. Thanks for taking the time to reading my blog! Have a goodnight, and keep creating!
Brian Cuojoe Tolbert
DAGDAFILM